Watch ray's place on SFlix. An oblique remake of Nicholas Ray’s On Dangerous Ground (1951), Ray’s Place follows Ray from his haunts in New York City to Binghamton where, exiled from Hollywood, he taught alongside members of the American avant-garde. Participating in both Hollywood’s golden age and the experimental cinema of the 1970s yet at home in neither, what is Ray’s place?
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A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.
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Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become...
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An independent Brazilian band sets out on two international tours at different moments in time. Shaped by hardships and unexpected detours, the...
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A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
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Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of...
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The ten-minute Pragmatognossia plays with the letters of the Greek alphabet, through the voice of a small child who is coming out into the world for...
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A poetic documentary viewing the shared experience amongst people who have experienced loss.
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Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing...
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Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement...
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Shifting subtly between figuration and abstraction, with Rothko-esque golds and reds, the hypnotic En Traversée by prolific and steadfastly...
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Filmmaker Roman Polanski and photographer Ryszard Horowitz meet in Kraków, Poland, where, strolling the streets, they share memories of their...
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May our smiles not be forced for your enjoyment and may our pains no longer be hidden. May my mother Yemanja help me. A short film about the pain we...