Yann Beauvais Movies

Study of the Mont Sainte Victoire.

“Reading Rimbaud today means to relate his experiences, his desires, to ours – it means that we see a strong connection between his quest...

Portrait of French filmmaker Yann Beauvais, shot in Paris (France) on April 12, 1984 at 4:00 PM.

Filmed in August 1997, in the New South Wales, then left to decay for several years in other tropical climates, before being scanned and finally...

R is a very simple film, flickering and panning which in its silence induces a fugue of rhythms. The center part of the film is a transcription of...

This film is a series of shot or found sequences (about, of cities that I frequent) which, in the editing, display a fluidity and continuity eluding...

“How should we describe a work such as TU, SEMPRE by Yann Beauvais? Visually, it consists of roughly 40 minutes of videotext in movement and...

This film considers the subject of HIV and AIDS from a variety of different viewpoints. On the one hand using textual material in both English and...

Artist Dona Ana makes clay figures, "carrancas", in a studio on the outskirts of Petrolina, in northeastern Brazil.

For around fifteen years, I have been filming a forest of imburana de cambão trees that has been progressively disappearing, located on the...

"...the Arc de Triomphe. Among many variations offered, we have selected about thirty which were cut vertically, horizontally and diagonally. The...

Rioting in different countries is confronted within the discourse of some politicians perpetuating the same old colonialisms and responses to a world...

The riots in France in June and July 23, following the murder of Nahel Merzouk by a police officer at point-blank range, are reminiscent of those in...

The winter Place Sqaure. Two cameras spinning, at the sound of musicians from an orchestra tuning their instrument.

A condensation of my philosophy master that I had written between 1974 and 1975. My first film as text.

Remarks on the recent war in Lebanon.

Amoroso takes up the question of memory concomitant with the filmed diary. A memory of Rome, a memory of Tivoli but also a memory of Kenneth Anger's...

"Take the path >>>>Still Life>>>> Hezraellah >>>>> of a curfew>>>>> exonerating affection" – Edson Barrus

First sketch of a new work featuring the movement of objects and devices. From one screen to another, without changing platforms, we change trains or...