Frédérique Devaux Movies

In 1993, the two main characters, Frédérique Devaux and Michel Amarger, nominate themselves for legislative elections in Paris. This...

Christophe Karabache is an independent French-Lebanese filmmaker born in Beirut in 1979. In 2000, he began exploring various film formats at l'Etna,...

Great movement of body cinema in the 80s! My contribution to this movement! – F.D.

A film that would not burn and, above all, from which no print could be made at the time! 1995-1999/16mm/sound.

Portrait of experimental filmmaker Martine Rousset.

Two-thirds of K (Exil) consists of images of the women and children who remain at home, alone, while the men leave for a life of exile. These images,...

1999, 16mm, 01'30", color, silent, France

16mm experimental short.

K, for Kabylie, is a chronicle in several parts. Chronicle of a fragmented childhood between two countries, memory shredded by separation and...

K (Désert) is the forth part of a series on Kabylia, including a documentary and a feature film. K (Désert) examines the fragmentation...

K3 (Les Femmes) is dedicated to the Kabili women of North Africa. The artist superimposes images and sounds to highlight the difficulty these women...

K (Acugher/Acimi) (K Pourquoi? Pourquoi?) is the last film of the 'K' series. Each frame of film was placed individually in the printer; the film...

In this part, I'm dealing with the relationship of the Kabyles with the dream of elsewhere. To reach that aim, I shot a lot in Kabilye, and also in...

"Bri(n) d'images is composed in the form of a mosaic. Playing on the transparency effects of the film and the color inks used, it is more like a...

K is a chronicle and an experimental biography. Each part of K is centered around a particular problem: childhood, demonstrations in Kabylia,...

The intentional ghost image, "mechanic chiseling", was obtained in camera by the effect of voluntary spinning.

Imagogie (from words: image and demagogy) was made with 16mm and super8 inside 16mm.

When advertising, big brands and the commercial market bombard us… Escape? revolt? get involved? become outraged?

From one film to another, it's true that I often use the same images, to remind people, to create a universe, to show that my work basically...

After the bri(n)s and the threads of images, come these fragments, of various shapes, mostly circular, flared or full, with various inclusions, and...