Julie Murray Movies

"The film’s haunting images are accompanied by the continuous sound of a helicopter circling overhead, which at the close gives way to the...

A film by Julie Murray

A dark meditation on father-son relations.

In this montage a melding of camera original and found material hints at a realization which is evident only in the fissures of splintered...

Children's 3-D toys and insects are the subjects of Julie Murray's look at the violence inherent in the very notion of motion. Music: "Three...

IN AN EYE/EAR DUET, MOVEMENTS AND CUTS IN THE IMAGE ARE IN CONTRAPUNTAL MOMENTUM, FIRST WITH SATIE’S DANCE DE TRAVERS AND THEN WITH TWITTERING...

A body of water, the body of the sky and figures on ground, shored against one another in rhythms of waves abrading a field framed for a new anxiety....

Frequency Objects, a photogram, creates a rhythmic friction between a chaotic animation of old family photographic negatives and the smooth motion of...

A composition of scenes and sounds in a montage reflecting poetic and musical forms. The camera, a toy, records only in black with a crude plastic...

Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though...

A camera attached to a microscope facilitates the trawling of spaces shaped by small dead things in tiny chambers between the naked eye and the...

FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in...

The stanza in poetry is analogous with the paragraph that is seen in prose; related thoughts are grouped into units. In music, groups of lines are...

A 16 mm. experimental film.

A brief account of visual moments recorded at Kalona Horse Sales Barn auction, IA. The animals are numbered as in some cases are their days.

A low light montage using Black Magic Ursa on a bean bag pod.

MUSICAL TENSIONS IN THE RESONANT BODIES OF WIND TURBINES

Things coaxed into light in roughly the order they were encountered. Preserved by the Academy Film Archive in 2014.

Calculating the angle of awe at a gas station in rural Midwest.