Takahiko Iimura Movies

"This Is A Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...

Film by Takahiko Iimura

A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...

A portmanteau of two films about Uluru (then known as Ayres Rock). "A huge isolated rock in the midst of desert in Australia: Ayers Rock. I produced...

Short film for the "A Commercial for Myself" programme.

MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They are shown alone as well as together, one over (or...

"This Is a Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...

When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...

An image synthesized version of Mardi Gras festival in New Orleans, in which many colorized images flow slowly left to right as the parade of the...

When I came to the USA in the mid 1960s, it was the high point of the Hippie movement and the black riots. I lived in the East village in New York,...

Experimental short by Keiji Aiuchi.

“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image...

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the...

Shot on 8mm on the 12-day boat journey between Yokohama and San Francisco, Iimura's The Pacific Ocean consumes the anticipation and uncertainties of...

‘New York Hot Springs’ (1984) is scenes of steam coming out of many streets of New York, a typical scene in winter, in repeated cycles of...

Filmed turning the camera upside down, and without looking through the viewfinder, this experimental short features fragmented scenes of people, a...

An animation film in which the outline of the image of a stone garden was traced on computer. As the result while the camera-crews moved in...

Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.