Saul Levine Movies

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work...

Impersonations for the camera by Alison Tsoi, Nina Fonoroff, and Saul Levine. Additional camera by Silvia Gruner. (For Pelle Lowe and Luther Price)

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside &...

Stan Brakhage with a movie camera. Winter seascapes.

A short video in which Levine, facing a crescent moon, remembers Marjorie Keller telling a dream she had with her female friend, also a film...

A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances. Later the father cooks...

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si

Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a...

One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I...

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

John Broderick recounts a bad LSD trip.

Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations. Appearances by obsessive birds,...